► Phantom (2018)
An agitated dream, a restless dreamer. Seashells left empty. Voices from phantom bodies. Whispered rumors and muffled dialogues. A catastrophe on hold. A taste of salty seawater.
► Echolocation (2017)
A fluctuating path, broken and disturbed dialogues. A mother speaks to her offspring. Cries resound and unfold in spaces sometimes closed, other times open. They move, stop, hide then reappear, while traffic continues to densify.
► Coalescence (2017)
Mainly based on recordings of hands crunching, rubbing and decomposing charcoal pieces, this composition is a study of the organic quality of the sound material ‘spreading’ into smaller bits before they meld, pull apart and meet again.
“This piece is, while unified in concept, rife with interruption and disparity. The timbral variety is quite diverse. From the sounds of charcoal being rubbed together, we get sharp interruptions, fluid reversions of time, creaks, crackles, rich rubs, groans, droning wind-scapes, frenetic insect-like squirming, and shifts from the intense to the silent […]” – Dan Lis (Read full analysis)
► Untitled (2015)
An old piece revisited. Voice recorded during a visit at Auschwitz-Bikernau in 2012.
► Her Jobber Skog og Hegre (2014)
Recordings of the exhibition presented in June 2014 at Lydgalleriet, Bergen (Norway). Works by Karen Skog and John Hegre.
► Melting Shapes (2013)
Repetitive components used and manipulated to create a sound fiction emphasizing an imaginary scenery.
► Fair (2013)
Inspired by the condensed bright lights, colors and mechanic moves of rides in a small fair.
► Los Angeles Sounds (2012)
Laughters, beeps, Sunset Boulevard, Fountain Avenue, Hollywood Film industry, acting. Based on a three months stay in Los Angeles.
► Breaths (2011)
► Strings and Pulses (2011)
Some of the early works driven by a growing interest in sound recording, mixing and editing as well as electroacoustic music. Sonic experimentation in its infancy.
AYA 